research for Test

https://www.bfi.org.uk/sites/bfi.org.uk/files/downloads/uk-film-council-film-theft-in-the-uk.pdf
https://www.wired.com/images_blogs/threatlevel/2013/11/mpaaprotocol.pdf
Mpaa PDF


https://torrentfreak.com/mpaa-softens-movie-theatre-anti-piracy-policy-drops-bounty-151130/
Softens anti piracy cinema policy MPAA


https://www.fact-uk.org.uk/the-problem/film-content-theft/


Alliance For Creativity And Entertainment
 https://www.alliance4creativity.com/




Report on piracy and money lost/gained
https://media.gractions.com/314A5A5A9ABBBBC5E3BD824CF47C46EF4B9D3A76/66692a61-cd18-4c14-bede-f09ce3d84b53.pdf


http://www.industrytrust.co.uk/useful-links/


Reward of up to £500 is awarded to anyone who calls out a consumer pirating a movie


No longer legal requirement that theatre owners hand over pirates to the police




Effect it has on the movie industry


If companies start to lose income through piracy, they may then stop funding the more ‘risky, artsy’ projects, as they are more likely to fail and result in a loss of income. (Lord David Puttnam on copyright infringement, Australian Movie Convention 2014)


November 16, 2017 – New, independent research commissioned by anti-piracy organisation Creative Content


Australia (CCA) shows the growth of online screen content theft has been arrested and remains static, with


21% of adults 18–64 admitting some form of piracy.








Effects it has on the audience


Theatre workers frequently check screenings for pirates, and this could become invasive, ruining the experience.





https://www.thepriceofpiracy.org.au/






  • Pop-up ads: Nearly 2 in 5 (39%) experienced pop-up adverts which are difficult to get rid of and can be used to generate revenue from click-throughs as part of an online scam
  • • Viruses: 1 in 3 (32%) downloaded a virus on to their device, often leading to their devices being unusable or having to be fixed
  • • Malware: More than a quarter (28%) downloaded malware on their device
  • • Stolen data: Almost 1 in 5 (17%) lost personal data or had personal information stolen
  • • Illicit material: 14% were exposed to material such as pornography or violent images


 The first by Incopro found that 97% of the thirty most frequently used infringing film/ TV sites in the UK contained malware or credit card scams and 3 in 4 visitors to the sites experienced problems with their device after visiting the sites.


http://www.industrytrust.co.uk/useful-links/
https://www.thepriceofpiracy.org.au/content/facts_fallacies_faqs.pdf
https://www.thepriceofpiracy.org.au/
https://www.yellowbrandprotection.com/the-problem


https://www.findanyfilm.com/film/ralph-breaks-the-internet~154491#watch
Legitimate streaming/convenience store

https://www.digitalmusicnews.com/2018/03/22/music-piracy-spotify-netflix

https://www.zdnet.com/article/piracy-significantly-declining-due-to-availability-of-streaming-services/

https://www.telegraph.co.uk/technology/2016/07/04/internet-piracy-falls-to-record-lows-amid-rise-of-spotify-and-ne/

http://stlr.org/2017/11/14/internet-piracy-the-effects-of-streaming-services-and-the-digital-marketplace//
https://www.jylkkari.fi/2018/04/sympathy-for-the-pirate-frustration-with-legal-streaming-services-pushes-towards-bootleg-content/

https://cs.stanford.edu/people/eroberts/cs181/projects/1999-00/dvd-css/piracy.htm

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